
Turn a song into distorted guitar MIDI you can edit. Upload MP3, WAV, M4A or FLAC, leave distorted electric guitar selected, check the riff on the piano roll, then drop the .mid into your DAW — notes for revoicing, not tab.
Play the source beside the piano roll. Power-chord stacks are easier to trust when you hear the same beat before export.
This landing opens Audio to MIDI with distorted electric guitar already chosen. MIDI chases the high-gain line instead of clean DI mush.
Download the unquantized .mid, drop it on any amp sim, and rebuild the riff. No tablature or fretboard promise on this page.
For the tightest riff MIDI from thick stacks, isolate the rhythm guitar with Stem Splitter first, then convert that stem and revoice in your DAW.
Clean leads and acoustic fingerstyle have their own MIDI landings. Use those when the recording is not distorted.
From the riff take you have to note MIDI you can rebuild.
MP3, WAV, M4A or FLAC — a riff stem, power-chord chorus, or mix where the dirt guitar cuts. Or pick from My Music.
This page already chooses that instrument. Add another part only if it should share the MIDI.
Scrub palm mutes and chord hits against the recording before export.
Take the transcription MIDI into Ableton, Logic, or FL Studio. Revoice and quantize there.
When the roll looks right, take the .mid into your DAW. Tab lives on the sheet sibling.
Preferred DAW import — unquantized transcription MIDI first from History.
Load the .mid on your high-gain stack, then revoice palm-mutes and riff grids for the arrangement.

If the riff is buried under doubles, isolate it first — then convert that stem.
A rhythm stem or upfront dirt guitar beats a full wall of doubles.
Use Stem Splitter for distorted guitar, upload the stem here, or leave Auto on if the riff is already obvious.
Revoice palm-mute grids and riff blocks on your high-gain stack for a tight distorted part.
“Chorus riff became MIDI I could drop under a new amp tone without retracking.”
“Hard mask kept the clean track out of the dirt MIDI. Exactly right.”
“Dropped the MIDI into Ableton, then locked the palm-mute grid. Ready to rebuild the riff.”
Keep going — these tools pair well with what you just read.

Upload the take, keep distorted electric guitar selected, and download a .mid for your DAW.