
Turn a song into piano MIDI you can edit. Upload MP3, WAV, M4A or FLAC, leave acoustic piano selected, check both hands on the piano roll against the recording, then drop the .mid into your DAW.
Play the source beside the piano roll. Thick chords and left-hand jumps are easier to trust when you can hear the same beat before export.
The transcription model writes the acoustic piano it is allowed to hear. This landing opens Audio to MIDI with piano already chosen, so the model is not inventing a full-band MIDI under a piano-only intent.
Scrub the roll against the original. Catch octave jumps and muddy inner voices before the clip lands in Ableton, Logic, or FL Studio.
History surfaces the unquantized transcription MIDI first — the preferred DAW import. Drop it into Ableton, Logic, or FL Studio and shape velocities, pedaling, and voicing for the session.
If the keyboard is buried, isolate piano with Stem Splitter first, then upload that stem here. Solo piano and piano-forward ballads already give the cleanest rolls.
Three steps from the file you have to a .mid you can edit.
MP3, WAV, M4A or FLAC — a solo take, a ballad, or any mix where the piano is obvious. Or pick a track from My Music.
This page already chooses piano. Add another instrument only if that part should share the MIDI; otherwise leave piano alone so the model stays on the keyboard.
Scrub bars that jumped octaves, then take the .mid into your DAW to revoice, quantize, and shape the part.
When the roll looks right, take the .mid into your DAW. Printable piano score lives on the Audio to Sheet Music sibling.
Preferred DAW import — History surfaces the unquantized transcription MIDI first. Drop it into Ableton, Logic, FL Studio, or similar.
Import the .mid, then shape velocities, pedaling feel, and voicing in Ableton, Logic, FL Studio, or any host that reads Standard MIDI — the workflow producers already use.

If the piano is buried in the mix, isolate it first — then convert that stem.
Solo piano or a mix where the keyboard sits up front beats a dense wall of sound.
Use Stem Splitter for piano, upload the stem here, or leave Auto on if the line is already obvious.
Once the .mid is in Ableton, Logic, or FL Studio, shape velocities, quantize choices, and left-hand voicing so the piano part owns the session.
“I stopped looping the chorus and finally had piano MIDI I could drop into the session.”
“The left hand was the part I kept missing. Seeing it on the roll saved the arrangement.”
“We dropped the piano MIDI into Logic and revoiced. Faster than starting from silence.”
Keep going — these tools pair well with what you just read.

Upload the take, keep acoustic piano selected, and download a .mid for your DAW.