
Turn a song into electric piano MIDI you can edit. Upload MP3, WAV, M4A or FLAC, leave electric piano selected, check the EP comps on the piano roll against the recording, then drop the .mid into Ableton, Logic, or FL Studio.
Play the source beside the piano roll. Bell-like attacks and held comps are easier to trust when you can hear the same beat before export.
This landing opens Audio to MIDI with electric piano already chosen. The hard mask keeps MIDI on the EP line instead of spilling acoustic piano or the rest of the band into the clip.
History surfaces the unquantized .mid first. Drop it on a Rhodes or Wurli plugin, then dial voicings, tremolo feel, and pocket timing for the session.
Isolate electric piano with Stem Splitter first, then upload that stem here. Clean EP-forward takes already give the clearest rolls.
Choosing electric piano costs the same per minute as Auto. You get focused EP MIDI instead of a full-band clip you would otherwise strip by hand.
Four steps from the EP take you have to a .mid you can revoice.
MP3, WAV, M4A or FLAC — a Rhodes ballad, stage-EP groove, or mix where the electric piano sits forward. Or pick a track from My Music.
This page already chooses EP. Add another instrument only if that part should share the MIDI; otherwise leave EP alone so the model stays on the tines.
Scrub held chords and attack timing against the recording. Catch octave jumps before the clip lands in your DAW.
Take the transcription MIDI into Ableton, Logic, or FL Studio. Quantize, revoice, and shape the EP part for the session.
When the roll looks right, take the .mid into your DAW. Printable EP score lives on the Audio to Sheet Music sibling.
Preferred DAW import — History surfaces the unquantized transcription MIDI first. Load it on a Rhodes, Wurli, or any EP instrument.
Load the .mid on a Rhodes, Wurli, or stage-EP plugin, then dial tremolo, voicing, and pocket timing for the session.

If the Rhodes is buried under guitars, isolate it first — then convert that stem.
Solo electric piano or a mix where the comps sit up front beats a dense wall of sound.
Use Stem Splitter for electric piano, upload the stem here, or leave Auto on if the line is already obvious.
In your host, dial tremolo, voicing, and pocket timing on a Rhodes or Wurli plugin until the EP comps sit right.
“Finally pulled the Wurli comps into MIDI without replaying the whole chorus by ear.”
“Hard-masking electric piano kept the acoustic out of the clip. That was the whole point.”
“Dropped the EP MIDI into Logic, then I revoiced on a Rhodes plugin. Faster than starting from silence.”
Keep going — these tools pair well with what you just read.

Upload the take, keep electric piano selected, and download a .mid for your DAW.