
Turn a song into synth pad MIDI you can edit. Upload MP3, WAV, M4A or FLAC, leave synth pad selected, check the held harmony on the piano roll, then drop the .mid into your DAW.
Play the source beside the piano roll. Held chords are easier to trust when you hear the same beat before export.
This landing opens Audio to MIDI with synth pad already chosen. MIDI stays on held harmony instead of chasing a mono lead.
Download the unquantized .mid for any pad patch. Dense pads land as editable chord blocks — revoice them for a solid bed.
Isolate the pad stem with Stem Splitter first if leads dominate, then upload that stem here.
Mono leads and synth-string beds have their own MIDI landings.
From the pad take you have to a .mid you can revoice.
MP3, WAV, M4A or FLAC — pad stem or mix where held harmony is clear. Or pick from My Music.
This page already chooses synth pad. Add another part only if it should share the MIDI.
Scrub chord changes against the recording before export.
Take the transcription MIDI into Ableton, Logic, or FL Studio.
When the roll looks right, take the .mid into your DAW.
Preferred DAW import — History surfaces the unquantized transcription MIDI first. Drop it into Ableton, Logic, FL Studio, or similar.
Park the .mid on your pad stack, then revoice held blocks for a solid bed.

If the pad is buried under the lead, isolate it first — then convert that stem.
A solo pad stem beats a washed-out full mix.
Use Stem Splitter, upload the stem here, or leave Auto on if the pad is already obvious.
Revoice held blocks on your pad stack for a solid harmonic bed.
“Chorus pad became MIDI I could revoice under a new progression.”
“Hard mask kept the lead out of the pad clip. Harmony stayed readable.”
“Dropped the MIDI into Ableton, then I cleaned the blocks. Good bed.”
Keep going — these tools pair well with what you just read.

Upload the take, keep synth pad selected, and download a .mid for your DAW.